A Tahltan performance artist Peter Morin interacted with installation of the Rukai nation sculptor Eleng Luluan

21/2/2020

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Land.Breath by Peter Morin

Peter Morin, a Tahltan Nation performance artist, activist and scholar. He makes performance art in the tradition of Tahltan Art History. His work is a part of the continuum of performance art that has happened with their territory, and within these Indigenous territories since the beginning.

The piece was created for John Hampton's exhibition In Dialogue (2017). The exhibition toured to different venues and he responded to each space in the performance. The Land.Breath was designed to consider the body and its moment to Indigenous territories. At times I was very 'literal' in considering dialogues and how bodies come into contact with each other and because of that contact how are we shifted and changed. I was also considering how each Indigenous artwork is actually a village, or a collective of Indigenous bodies.

The question for him, continues to be, what does it mean to be a guest on these territories? I was also attempting to deeply consider the framework - his survival is intrinsically tied to their survival (a Tahltan idea), which could also be understood as relationally.

Photo credit: National Gallery of Canada

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BIUNG ISMAHASAN

Bunun Nation curator, artist and researcher from Dakanuwa Community, Namasia of Kaohsiung, southern Taiwan. PhD Candidate in Curating at the Centre for Curatorial Studies, University of Essex in Britain; Goldsmiths, University of London Alumni MA in Cultural Policy, Relations & Diplomacy (2014).

ELENG LULUAN
A traditional Rukai Nation Indigenous visual artist from Kucapungane community, Pingtung, southern Taiwan. She specialises in sculpture and composite media and environmental installations.

introduction

双紳創意有限公司（S＆B Curatorial Enterprise, Taiwan）於 2021 年5月成立於新北市，是一間推廣原住民當代藝術、創意文化創業實踐的公司，側重藝術推廣、策展實踐、出版研究以及國際交流服務為經營核心觀念的公司。經由原住民策展人與全球原住民策展的鏈結 (Indigenous Curatorial Collective/ Collectif des commissaires autochtones) 與交流的基礎之下，思考原住民當代藝術如何在這個時代中重新定義自我角色與態度，凸顯在當代國際環境中關於藝術生產、展覽型態、學術研究、空間規劃和國際交流的發展方向與路徑，成為藝術家與策展人、展覽與大眾、在地與國際的延伸思考，並使之成為多功能新型態的策展公司。

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Alex Costa

17/10/2021 16:55:10

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