BIUNG ISMAHASAN
  • Cover
  • Biung Ismahasan
  • TTICC 甦醒.台東天光 The Revival of Life and Consciousness in Taitung and Beyond
  • 女性團結: 接受.轉向.擴張 Indigenous Taiwanese Women's Art
    • 峨冷.魯魯安 Eleng Luluan
    • 阿儒瓦苡.篙瑪竿 Aluaiy Kaumakan
    • 米類.瑪珐流 Milay Mavaliw
  • 女性團結: 跨境.相遇 Indigenous Women's Art Across the Borders
    • 阿儒瓦苡.篙瑪竿 Aluaiy Kaumakan
    • 峨冷.魯魯安 Eleng Luluan
    • 張恩滿 CHANG En-Man
    • 宜德思.盧信 Idas Losin
    • 瑪莉塔.伊莎貝爾.思璐法給 Marita Isobel Solberg
  • 女性團結:行走.紋理 The Art of Walking and Weaving by Indigenous Taiwanese Women
    • 彭秋玉 Bakan Nawi >
      • 行走在編織的紋理 Walking on Woven Trjectories
      • 女人佇立在山陵線上 A Woman Standing on the Mountain Ridge
      • 地織靈魂 The Soul of Ground Weaving Machine
      • 滴水穿石 (苧麻裝置) The Spirituality of Ramie
    • 尤莉.撒撒克 Yuri Sasak >
      • 順著河流走 Let the River Flow
      • 編織紋理心電圖 The Electrocardiogram of Woven Pattern
  • 女性團結:未知.感知 Reflection of Unknown and Receptual Experience by Indigenous Taiwanese Women Artist
    • 峨冷.魯魯安 Eleng Luluan >
      • 土地的味道 The Smell of the Land
      • 封存記憶 Archival Memories
      • 拓描系列 The Series of Rubbing and Portraying
    • 馬郁芳 Aruwai Matilin >
      • 心之所向 The Place Where the Heart Goes
  • Àbadakone at National Gallery of Canada
  • 2022 雪梨雙年展 23rd Biennale of Sydney
    • 阿儒瓦苡.篙瑪竿 Aluaiy Kaumakan
  • Curatorial Works
  • Dispossessions at Goldsmiths
    • Dispossessions Exhibition Programme
  • Ngahi' Routes 地瓜路徑
  • Publication x Talk
  • Exhibition Catalogue
Picture

彼勇.依斯瑪哈單(生於1984年)來自高雄山區那瑪夏區,擁有臺灣原住民族布農族、泰雅族與卡那卡那富族的血統,目前是一名獨立策展人、藝術家和研究員,2021年1月取得英國艾塞克斯大學 (Centre for Curatorial Studies, University of Essex) 哲學與藝術史學院 策展學研究中心 策展學博士,論文題目:
Indigenous Relational Space and Performance: Curating Together towards Sovereignty in Taiwan and Beyond。研究涉及原住民策展實踐、策展作為解殖的社會運動、跨媒介藝術實踐、「履踐式表述行為原民性」的詮釋、原住民創造主權、藝術合作實踐、策略的倫理學與原住民知識論、原住民策展和展覽設計史。2014年11月獲得倫敦大學金匠學院 (ICCE, Goldsmiths, University of London) 創意與文化創業研究所 文化政策、關係與外交碩士學位; 2015年進修愛丁堡大學愛丁堡藝術學院 (Edinburgh College of Art, The University of Edinburgh) 藝術學 MPhil in Art 課程。

著名的策展計畫實踐包括《剝奪:2014-2019年原住民族的履踐相遇》,以臺灣原住民藝術家為核心的國際藝術與文化交流。最近策劃的其他展覽,包括2019年桃園市原住民族文化會館年度展《地瓜路徑:當深度成為實驗》與七位來自不同部落且不同領域的原住民藝術家合作;2019-2020年擔任魯凱族裝置藝術家安聖惠 (峨冷.魯魯安) 加拿大國家藝廊 全球原住民當代藝術五年展 延續之火《Àbadakone》的協同策展人;2018年曾擔任 挪威政府文化部 挪威當代藝術中心 薩米當代藝術文件研究展《讓河流順著流:主權意志與新世界的創造》的策展助理與專輯出版作者;2021年《女性團結:接受.轉向.擴張》策展人暨英國文化協會贊助 倫敦第一民族藝術節數位策展 (2021.03.19~2022.03.31);2022年第23屆 雪梨雙年展 Biennale of Sydney 協同策展人,與藝術總監 José Roca 和澳洲原住民策展人 Hannah Hannah Donnelly 策劃原住民節目與部落合作交流項目,策展主題為 rīvus 河流,將以排灣語 Sicevudan 河流的源頭回應主題。


Dr Biung Ismahasan (b.1984) is a curator, artist and researcher from the Bunun, Atayal and Kanakanavu Nations, three of Taiwan’s sixteen Indigenous Nations. He received a PhD in Curating from Centre for Curatorial Studies at the University of Essex in the UK, with a thesis ‘Indigenous Relational Space and Performance: Curating Together towards Sovereignty in Taiwan and Beyond.' His research relates to contemporary Indigenous curatorial practice and aesthetics, focusing on Taiwanese Indigenous contemporary art. Ismahasan emphasises issues of participation, performativity and the historiography of Indigenous curation and exhibition design. He has received a MA in Cultural Policy, Relations & Diplomacy from the Institute for Creative and Cultural Entrepreneurship at Goldsmiths, University of London in 2014.

His most notable curatorial projects include Dispossessions: An Indigenous Performative Encounter 2014–2019, an international performance art exchange of Indigenous artists from Taiwan. He was a curatorial assistant of Let The River Flow: The Sovereign Will And The Making of A New Worldliness at Office for Contemporary Art Norway in Oslo (April 2018); he has curated Dispossessions: Performative Encounter(s) of Taiwanese Indigenous Contemporary Art at Goldsmiths (May 2018); he had curated yearly theme-based exhibition Ngahi’s Routes: When Depth Become Experiment which have collaborated with seven Taiwanese Indigenous artists at the Taoyuan City Indigenous Cultural Centre (February and December 2019); he recently curated the Rukai Nation installation artist Eleng Luluan’s Between Dream in Àbadakone | Continuous Fire | Feu continuel at the second exhibition in the National Gallery of Canada’s series of presentations of contemporary international Indigenous art (November 2019 and October 2020); Resurgence and Solidarity: Indigenous Taiwanese Women's Art  at Taiwan Indigenous Peoples Cultural Park (March and May 2021) - digital presentation collaborated with ORIGINS: Festival of First Nations in London funded by British Council (March 2021 ~ March 2022); Biung will play a pivotal role in the artistic development as a Co-curator of Aluaiy Kaumakan's project (Paiwan Nation, Paridrayan Community, Taiwan) together with artistic director José Roca and Wiradjuri curator Hannah Donnelly at the 23rd Biennale of Sydney (March and June 2022). 

Curatorial project Dispossessions: Performative Encounter(s) of Taiwanese Indigenous Contemporary Art (2018) is an international performance art exchange of Indigenous artists from Taiwan. The first research-based exhibition of Taiwanese Indigenous contemporary art in the UK was curated by Biung Ismahasan in the Lower Atrium Space of Professor Stuart Hall Building at Goldsmiths, University of London www.gold.ac.uk/icce/ . This exhibition, performances and event series exploring the essential, expressive and ethno-aestheic nature of Taiwanese Indigenous cultures. An Indigenous counter of performativity across London. International collaborative curatorial project for Taiwanese Indigenous Rukai Nation artist Eleng Luluan 安聖惠 at Àbadakone | Continuous Fire | Feu continuel which is the second exhibition in the National Gallery of Canada’s series of presentations of contemporary international Indigenous art, features works by more than 70 artists identifying with almost 40 Indigenous Nations, ethnicities and tribal affiliations from 16 countries, including Canada from 8 November 2019 to 4 October 2020.

​Bunun Nation Independent Curator, Artist and Researcher based in Taiwan
​PhD in Curating, Centre for Curatorial Studies, Department of Art History and Theory,
School of Philosophy and Art History, University of Essex, UK

英國艾塞克斯大學 (SPAH, Essex) | 哲學與藝術史學院 策展學研究中心 策展學博士
蘇格蘭愛丁堡大學 (Edinburgh College of Art, The University of Edinburgh) | 藝術學院 當代藝術學類博士 (MPhil/PhD in Art) 博士班第一年升等
倫敦大學金匠學院 (ICCE, Goldsmiths) | 創意文化創業研究中心 文化政策、關係與外交碩士​


台灣視覺藝術協會理事 2021 ~
台東縣政府原住民青年文化觀察團藝術文化專家委員 2021 ~
國際當代藝術策展人協會 (註冊於德國) |  www.iktsite.org ​IKT International Association of Curators of Contemporary Art Active Member 2017 ~ Present
南方藝術評論研究成員 | 觀察員藝文田野檔案庫 December 2020 ~ Present

b.ismahasan@essex.ac.uk / biung1984@gmail.com
www.essex.ac.uk/people/ISMAH65405/biung-ismahasan
​Ningni Guest House / Ningni First Nations Residency in Namasia, Kaohsiung of the southern Taiwan www.facebook.com/ningniguesthouse/



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S&B Curatorial Enterprise, Taiwan    
双紳創意有限公司


We acknowledge Taiwanese Indigenous Peoples as First Nations Peoples as the Traditional Owners and Custodians of the land and give respect to the Elders – past and present – and through them to all Indigenous Taiwanese peoples. 

introduction 

双紳創意有限公司(S&B Curatorial Enterprise, Taiwan)於 2021 年5月成立於新北市,是一間推廣原住民當代藝術、創意文化創業實踐的公司,側重藝術推廣、策展實踐、出版研究以及國際交流服務為經營核心觀念的公司。經由原住民策展人與全球原住民策展的鏈結 (Indigenous Curatorial Collective/ Collectif des commissaires autochtones) 與交流的基礎之下,思考原住民當代藝術如何在這個時代中重新定義自我角色與態度,凸顯在當代國際環境中關於藝術生產、展覽型態、學術研究、空間規劃和國際交流的發展方向與路徑,成為藝術家與策展人、展覽與大眾、在地與國際的延伸思考,並使之成為多功能新型態的策展公司。

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© BIUNG ISMAHASAN COPYRIGHT 2022.
  • Cover
  • Biung Ismahasan
  • TTICC 甦醒.台東天光 The Revival of Life and Consciousness in Taitung and Beyond
  • 女性團結: 接受.轉向.擴張 Indigenous Taiwanese Women's Art
    • 峨冷.魯魯安 Eleng Luluan
    • 阿儒瓦苡.篙瑪竿 Aluaiy Kaumakan
    • 米類.瑪珐流 Milay Mavaliw
  • 女性團結: 跨境.相遇 Indigenous Women's Art Across the Borders
    • 阿儒瓦苡.篙瑪竿 Aluaiy Kaumakan
    • 峨冷.魯魯安 Eleng Luluan
    • 張恩滿 CHANG En-Man
    • 宜德思.盧信 Idas Losin
    • 瑪莉塔.伊莎貝爾.思璐法給 Marita Isobel Solberg
  • 女性團結:行走.紋理 The Art of Walking and Weaving by Indigenous Taiwanese Women
    • 彭秋玉 Bakan Nawi >
      • 行走在編織的紋理 Walking on Woven Trjectories
      • 女人佇立在山陵線上 A Woman Standing on the Mountain Ridge
      • 地織靈魂 The Soul of Ground Weaving Machine
      • 滴水穿石 (苧麻裝置) The Spirituality of Ramie
    • 尤莉.撒撒克 Yuri Sasak >
      • 順著河流走 Let the River Flow
      • 編織紋理心電圖 The Electrocardiogram of Woven Pattern
  • 女性團結:未知.感知 Reflection of Unknown and Receptual Experience by Indigenous Taiwanese Women Artist
    • 峨冷.魯魯安 Eleng Luluan >
      • 土地的味道 The Smell of the Land
      • 封存記憶 Archival Memories
      • 拓描系列 The Series of Rubbing and Portraying
    • 馬郁芳 Aruwai Matilin >
      • 心之所向 The Place Where the Heart Goes
  • Àbadakone at National Gallery of Canada
  • 2022 雪梨雙年展 23rd Biennale of Sydney
    • 阿儒瓦苡.篙瑪竿 Aluaiy Kaumakan
  • Curatorial Works
  • Dispossessions at Goldsmiths
    • Dispossessions Exhibition Programme
  • Ngahi' Routes 地瓜路徑
  • Publication x Talk
  • Exhibition Catalogue