Performative Indigeneity among Rukai Nation artist Pasulange Druluan x Amin Farid Soultari

Singaporean Choreographer Amin Farid Soultari demonstrates performative Indigeneity within Taiwanese Indigenous Rukai Nation artist Pasulange Druluan's driftwood installation among "Ngahi' Routes: When Depths Become Experiment" exhibition at Taoyuan City Indigenous Cultural Centre, northern Taiwan.

 https://www.soultari.com/

​Soultari Amin Farid is a choreographer, arts educator and researcher from Singapore. He is currently a PhD candidate in Theatre, Drama and Dance studies at the prestigious Royal Holloway, University of London, UK. He is a recipient of the ASEAN-India Youth Award (2018), Singapore Youth Award (2017), National Arts Council Scholarship (2017) and Goh Chok Tong Mendaki Youth Promise Award (2016). Amin is the Joint-Artistic Director of Bhumi Collective, a multidisciplinary performing art and producing company. As an arts practitioner-researcher, his works constantly question and challenge the normative notions of class, ethnicity, identity and gender. He is vocal about indigenous, minority rights and addresses privilege in his advocacy. Amin believes that young arts practitioners must become leaders in creating artistic works that are innovative, critical and relevant to their evolving landscape. He writes occasionally for online arts magazine, Arts Equator, and the Esplanade Theatres by the Bay.