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This is a performative curating of socially engaged performance and installation art practice at my father's tomb on 2 Nov 2014 in Dakanuwa village of Namasia District, Southern Taiwan. I developed the idea of a nano-curatoiral project as a temporary pop-up exhibition in an off-site space. This site-specific art of 'taki-un-ung', which is the kidney in the Bunun language, played a vital role of inspiring the inner world of participants. This work of art could be a curatorial, artistic strategy or methodological goal to explore an aesthetic context and to measure the outcomes of social impact of art making progression and community engagement with audiences in an indigenous space. Significantly, this artwork's theme of 'reanimation' played as a technique to rethink/rediscover our value of life and its preciousness.
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